Set in Minnesota where the Coens grew up, this rural area isn't one usually visited by film makers. With a large immigrant population of Scandinavian origin, the local accent is reflected in this, particularly in the use of the word 'Yah' for 'Yeah'. 'Yah' would appear to be the most popular word in Minnesota, capable of a variety of inflections and meanings and sometimes in the movie an entire conversation is conducted using the the one word.
As usual, the casting is perfect. Macy makes a brilliant befuddled car salesman who never gets things right. McDormand (who won the Best Actress Oscar for this performance) is just amazing, totally consumed by her character. Buscemi and Stormare are great as the small time crooks who are doomed by their own venality. The script as you'd expect is tight as newt's arse and won the Coens an Oscar for Original Screenplay. Macy, in an interview attested to this, citing the scene where he struggles inarticulately to answer McDormand's questions. Every grunt, every part word, was scripted.
Unlike Miller's Crossing (see previous post) which was drenched in dark colours, the dominant colour here is white which is no surprise as it's set in Minnesota in the winter where snow covers the landscape and ice coats the windscreens of cars. The bleached landscape is impressive and the opening shot is of a car slowly emerging into view from a white-out.
No question that this is a terrific film, made all the more distinctive by its locations and distinctive accent. Also, although proclaimed as a thriller on the covers of the DVD, it is, not unusually for the puckish Coens, also a black comedy. I enjoyed it a lot but, despite all the acclaim it received, I prefer Miller's Crossing.
Random Notes.
Apart from the Oscars it won, Fargo was also nominated for Best Picture, Directing, Supporting Actor (Macy), Cinematography (Roger Deakins), Film Editing (Roderick Jaynes aka the Coen Brothers). It also won a shedload of awards from all over the place including the BAFTA for Direction.
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